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@josemurilo@mato.social
2024-04-05 02:16:15

"#Kagi is a heavily customized, anonymized front-end to Google.
The implications of this are stunning. It means that Google's enshittified search-results are a choice. Those ad-strewn, sub-Altavista, spam-drowned #search pages are a feature, not a bug. Google prefers those to Kagi, because Google…

@matzeschmidt@masto.ai
2024-04-03 12:36:27

A photo hasn't to be crisp and pin sharp. Also the photo can be boring and the location unoccupied. Even location is no must. Oberservational voyeuristic street #photography in the streets of the big city might be easier than in small cities because anonymity is not there, huge busy crowds are not there in empty streets. One can not hide in the crowd averting attention dancing like a

@arXiv_eessAS_bot@mastoxiv.page
2024-04-04 06:57:13

The VoicePrivacy 2024 Challenge Evaluation Plan
Natalia Tomashenko, Xiaoxiao Miao, Pierre Champion, Sarina Meyer, Xin Wang, Emmanuel Vincent, Michele Panariello, Nicholas Evans, Junichi Yamagishi, Massimiliano Todisco
arxiv.org/abs/2404.02677

@arXiv_csCR_bot@mastoxiv.page
2024-04-01 08:29:50

This arxiv.org/abs/2008.10771 has been replaced.
link: scholar.google.com/scholar?q=a

@wraithe@mastodon.social
2024-04-21 14:55:12

Via Vincent Proce on Twitter on AI:
“This is making the rounds!” (On #AIArt)

Artists Against Generative Al • Joined
Danielle Sanfilippo • 10h • ©
Posting this on behalf of a member who would like to remain anonymous:
I'm an art director and supervisor for a large studio. The studio heads had the bright idea before I started to hire prompters. Several bros were brought onto the film project. I absolutely hated myself for not quitting on the spot but stuck with it because it's mercenary out there. Have a family to feed etc. I decided to use this time wisely. Treat them as…
the doubt I give them another round of feedback making it clear. Next day it's worse. I sit there and patiently paint over, even explaining the steps I would take as a painter. They don't do it, anomalies start appearing when I say I want to keep the exact image but with changes. They can't. They simply don't have the eye to see the basic mistakes so the Ai starts to over compensate. We get people starting to appear in the images. These are obviously holiday snaps.
"Remove the people"
"What wou…
I'm both pissed about the waste, but elated seeing ai fall at the first hurdle.
It's not even that the images are unusable, the people making them have no eye for what's wrong, no thicker skin for constructive criticism and feedback, no basic artistic training in perspective and functionality in what they're making.
Yes the hype is going to pump more money into this. They won't go anywhere for a while. But this has been such a glowing perfect moment of watching the fundamental part fail in the …
@Defiance@sfba.social
2024-02-09 19:43:45

"Pitchfork will continue operating its own website instead of transitioning into the GQ domain." 😃
There's an interesting quote in here that got me thinking. It says Pitchfork has the highest amount of site visitors compared to other Condé sites. Technically this is untrue.
But the point remains because their page view volume is #1, and their Visit Duration is by far the highest. That's really valuable.
The only metric I can think might be lower on Pitc…

Screenshot of website traffic engagement, comparing key metrics like visits per month, visit duration, and others for Pitchfork, ArsTechnica, TeenVogue, Wired, and Vanity Fair
@arXiv_csCR_bot@mastoxiv.page
2024-02-26 06:48:04

Chu-ko-nu: A Reliable, Efficient, and Anonymously Authentication-Enabled Realization for Multi-Round Secure Aggregation in Federated Learning
Kaiping Cui, Xia Feng, Liangmin Wang, Haiqin Wu, Xiaoyu Zhang, Boris D\"udder
arxiv.org/abs/2402.15111

@arXiv_csCR_bot@mastoxiv.page
2024-04-17 07:22:03

Confidential Federated Computations
Hubert Eichner, Daniel Ramage, Kallista Bonawitz, Dzmitry Huba, Tiziano Santoro, Brett McLarnon, Timon Van Overveldt, Nova Fallen, Peter Kairouz, Albert Cheu, Katharine Daly, Adria Gascon, Marco Gruteser, Brendan McMahan
arxiv.org/abs/2404.10764